When
notorious drone-synth explorer Daniel Lopatin (aka Oneohtrix Point
After the F&L LP and the next OPN LP we'll initially be focusing on smaller 12-inches and EP releases for folks like Sleepover and Laurel Halo but if the right artists come along we'll be looking to release LPs as well in the future.
Never)
and ex-Tigercity bassist Joel Ford fulfilled a childhood dream late
last
year by forming a synth-pop duo, the last thing they imagined would
hamper
the project would be a face-tatted ex-affiliate of 50 Cent.
However,
on advice from their label the pair have had to lose the Games
moniker
that served them so well on last year¹s exceptionally excellent
"That
We Can Play" EP. They were told that the Games alias could cause a
stink
with Interscope-signed thug-rap aficionado The Game, who has recently
switched
to being known as just plain old Game.
We
were told Games was a little too close for comfort, bemoans Lopatin over
the
phone from his new studio HQ in the bowels of the Mexican Summer complex in
Brooklyn, New York. It was kind of a pre-emptive strike to avoid the
legal
muscle of Interscope as opposed to us having the guy beat down our
door
yelling at us to cease and desist, thank God. That would not have been
good.
With
the Games alias cruelly swiped from their paws, Ford and Lopatin have
decided
to become known as, well, Ford & Lopatin.
We
actually wanted to come up with another band name but nothing felt as
comfortable
as Games for me so we figured we might as well just be
ourselves.
We're definitely more Kruder & Dorfmeister than Hall & Oates
though.
The pair have plans to
take their newly re-named show on the road with a diverse array of gigs in the
coming months from chin-stroke-fest Ether in London to hardcore punk-athon
Chaos In Tejas in Austin, Texas. Lopatin explains that playing such contrasting
shows is “super by design. These days the way people put together a playlist in
iTunes or hit shuffle on their iPod prepares them for the experience of seeing
two drastically different bands back to back, it’s exciting playing varied
bills and reacting to different audiences.”
Along with freaking out
noise fans and punks on a regular basis the duo have a busy release schedule
and their own label to run. "Channel Pressure", the highly
anticipated Ford & Lopatin long player is due on
the seventh of June and Daniel couldn¹t be happier to be releasing it via the
duo's own imprint: We see Software more as a production imprint than a label
per se. Mexican Summer have some amazing studio facilities in Brooklyn that
they have been kind enough to give us the run of to work on both our own
material and with other bands.
After the F&L LP and the next OPN LP we'll initially be focusing on smaller 12-inches and EP releases for folks like Sleepover and Laurel Halo but if the right artists come along we'll be looking to release LPs as well in the future.